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Memoria film
Memoria film












It, like any Marquez story, seems to hinge on a magical realist element to broach these themes. Weerasethakul’s film transforms itself into an intimate experience by its end, probing us to think about the nature of human curiosity and their creations, from the poetic to the political. Her body language is carefully observant and reciprocates to the things around her even if her facial expressions gather moss.

memoria film

The camera poises itself at a little distance behind their chairs, and we see how every time the sound – a bang? an earthy explosion? a sonic boom? – is played, she carefully and differently reacts to them. In one of the scenes, she and Hernan (played by Juan Pablo Urrego), a sound engineer, are sitting in his studio, trying to recreate the sound that Swinton’s character has been hearing. Tilda Swinton is a vision of perfection in every role she steps her foot into. It was awarded the Jury Prize at the 74th Cannes Film Festival, where it also premiered. Much in the tradition of Weerasethakul’s filmography, the audience is guided through the narrative slowly and steadily, building up a unique experience for each of the viewers.

memoria film

Memoria (2021), directed by Apichatpong Weerasethakul, is a Spanish-English film that doubles up as a masterclass in sensory explorations across the overlapping realms of past and present realities in time. He wrote, “Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.” In this sentence, he wove together the past and the present that would later form the foundation of the narrative in the novel, much like the sound that makes itself heard to Jessica (played by Tilda Swinton) and the audience within the first ten minutes of the film.

MEMORIA FILM MOVIE

Memoria (2021) Movie Ending Explained & Themes Analyzed: The first thought that occurred to me (now that I feel less disoriented after having watched the film a day ago) is the first line of one of my favourite novels, One Hundred Years of Solitude by Gabriel Garcia Marquez.












Memoria film